3 Men and a Little Lady

5.9
19901h 44m

Production

Logo for Touchstone Pictures
Logo for Interscope Communications

Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.

Trailers & Videos

Thumbnail for video: Three Men and a Little Lady - Trailer

Three Men and a Little Lady - Trailer

Thumbnail for video: Three Men and a Little Lady 1990 TV trailer

Three Men and a Little Lady 1990 TV trailer

Cast

Photo of Tom Selleck

Tom Selleck

Peter Mitchell

Photo of Steve Guttenberg

Steve Guttenberg

Michael Kellam

Photo of Ted Danson

Ted Danson

Jack Holden

Photo of Nancy Travis

Nancy Travis

Sylvia Bennington

Photo of Fiona Shaw

Fiona Shaw

Miss Lomax

Photo of Jonathan Lynn

Jonathan Lynn

Vicar Hewitt

Photo of Patricia Gaul

Patricia Gaul

Mrs. Walker

Photo of Rosalind Allen

Rosalind Allen

Pretty Girl

Photo of Bryan Pringle

Bryan Pringle

Old Englishman

Photo of Ian Redford

Ian Redford

English Farmer

Photo of Melissa Hurley

Melissa Hurley

Dancing Girl at Party

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Reviews

G

CinemaSerf

5/10

Despite the best efforts of Fiona Shaw as the sex-maniac "Miss Lomax" this is really a rather poor follow-up to the original. The child, "Mary" - who is now five (clearly nobody realised that 1990-1987 = well, not five, anyway) has relocated with her mother "Sylvia" (the shockingly wooden Nancy Travis) to live in the UK with fiancé and film director "Edward" (Christopher Cazenove). Of course "Jack" (Ted Danson), "Michael" (Steve Guttenburg) and "Peter" (Tom Selleck) start to miss their playful little wean - with one of them also realising just how madly in love he is with her mother. They have to get to Britain urgently to thwart the nuptials and to get "Mary", the spoilt and very annoying "Mary", back from the clutches of their cut-glass speaking rival. Someone, somewhere, clearly decided that giving this nonsense a British slant might increase it's appeal - to, at least, open up an whole new slew of stereotypes for it to bash. If it's not the accents, it's the doddery curate or the motor-cycle and sidecar - indeed nothing is off limits as this plunders the puerile and contrived to string out this weakest of storylines for almost 1¾ hours of increasingly cringemaking "comedy". The proposed wedding scene at the conclusion just needed a gattling gun after about ten minutes. Sorry, perhaps I just wasn't in the mood but I didn't love the first of these and this is a poor relation. Please. No more!!

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