Blood on the Moon
A woman's bullet kills as quick as a man's!
Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right.
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Trailer

Ambush at the Saloon
Cast

Robert Mitchum
Jim Garry

Barbara Bel Geddes
Amy Lufton

Robert Preston
Tate Riling

Walter Brennan
Kris Barden

Phyllis Thaxter
Carol Lufton

Frank Faylen
Jake Pindalest

Tom Tully
John Lufton

Charles McGraw
Milo Sweet

Clifton Young
Joe Shotten

Tom Tyler
Frank Reardon

George Cooper
Fred Barden

Tom Keene
Ted Elser

Bud Osborne
Cap Willis

Zon Murray
Nels Titterton

Robert Bray
Bart Daniels

Chris-Pin Martin
Commissary Bartender (uncredited)

Iron Eyes Cody
Toma (uncredited)

Harry Carey, Jr.
Cowboy (uncredited)
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Reviews
John Chard
I can buy me that kind of friend for $75 a month and no questions asked.
Blood on the Moon is directed by Robert Wise and is adapted from a Luke Short story by Lillie Hayward and Harold Shumante. It stars Robert Mitchum, Barbara Bel Geddes, Robert Preston, Walter Brennan, Phyllis Thaxter, Frank Faylen, Tom Tully and Charles McGraw. Music is by Roy Webb and cinematography by Nicholas Musuraca. Story has Mitchum as drifting cowboy Jim Garry, who after receiving a job offer in the mail from old acquaintance Tate Riling (Preston), finds himself pitched in the middle of a war between cattle ranchers and homesteaders.
Effective and tightly crafted Western that has garnered many favourable remarks, due in the main to its ability to veer away from formula suggested by the plot and the technical film noir touches brought about by the great Musuraca. With Mitchum turning in one of his great screen dominating performances, film is driven forward by the psychological aspects brought about by thematics such as duplicity, split loyalties and moral quandaries. Director Wise does a good job of pacing the film, keeping it on the slow burn whilst dialling into Jim Garry's mindset, and picture is further boosted by a great knuckle fight and a rip-roaring siege shoot out at the end. But it's the mood created by Musuraca and Wise that is the real winner. With the film set 90% at night or in darkened rooms, shadow play is high and an oppressive feel adds weight to the psychological clocks ticking away in the narrative. In support of Mitchum, Geddes does spunky cowgirl well, while the presence of Brennan, Faylen and the gravel voiced McGraw is keenly felt.
Good story, well acted and visually potent. 7/10
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