Children of Paradise
AT LAST! The Celebrated French Film.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Available For Free On
Trailers & Videos

Children of Paradise - U.S. Re-Release Trailer

Michael Peyser on CHILDREN OF PARADISE

Three Reasons: Children of Paradise
Cast

Arletty
Claire Reine, dite Garance

Jean-Louis Barrault
Baptiste Debureau

Pierre Brasseur
Frédérick Lemaître

Marcel Herrand
Pierre-François Lacenaire

María Casares
Nathalie

Louis Salou
Édouard comte de Montray

Pierre Renoir
Jericho

Jane Marken
Mme Hermine

Gaston Modot
Fil de Soie

Fabien Loris
Avril

Marcel Pérès
Le directeur des Funambules

Etienne Decroux
Anselme Debureau

Marcelle Monthil
Marie

Louis Florencie
Le gendarme des 'Adrets'

Habib Benglia
L'employé des bains turcs

Jacques Castelot
Georges

Paul Frankeur
L'inspecteur de police

Albert Rémy
Scarpia Barrigni

Robert Dhéry
Célestin

Pierre Palau
Le régisseur des Funambules
More Like This
Reviews
CinemaSerf
Told in two acts with a curtain rising on both sections, this is quite a stylish, lavish even, and entertaining tale of a lady of the streets. "Garance" (Arletty) who sometimes uses her real name of "Claire Reine" is actually quite a decent woman who is wrongfully accused of pickpocketing in a busy market. Fortunately, the mime artist "Baptiste" comes to her rescue and quickly falls hook, line and sinker for the beautiful and charismatic woman. His problem is that she has no lack of suitors, and over the next three hours or so we are introduced to the lively and foppish "Lemaître" (Pierre Brasseur); the even more flamboyant but roguish "Lacenaire" (Marcel Herrand) and the aloof and sterile, but very wealthy "Comte de Montray" (Louis Salou). The plot itself isn't especially remarkable. A woman in the flushes of youth and attractiveness being sought after by a diverse collection of men. What makes this stand out is the marvellously applied mixture of heavily scored theatrical and cinematic styles. It's a love story and an adventure. How might things pan out for her as she ages, though? As her outward beauty begins to fade? Will any of them (or anyone else) still want her? Will she want them? The characters are quite roundly developed as director Marcel Carné takes his time to illustrate not just the persona of the heroine, but also those of her suitors whilst offering us a critique of a society in general that in early 19th century France mixed opulence with poverty, violence with tenderness. By using the different genres of theatre performances, Carné creatively provides us with a more subtle conduit between her series of trials and tribulations that allows us to tap into themes of culture and religion as well as human nature in many of it's guises. Arletty is on great form, as is Brasseur and given it was made just as the Nazi occupation was coming to it's own denouement, is quite an astonishingly artistic achievement that shows a nation with a healthy and defiant confidence in it's own identity and credentials.
You've reached the end.


















