Easter Parade

The Happiest Musical Ever Made is Irving Berlin's Easter Parade

7.0
19481h 43m

Production

Logo for Metro-Goldwyn-Mayer

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

Trailers & Videos

Thumbnail for video: Easter Parade | Digital Trailer | Warner Bros. Entertainment

Easter Parade | Digital Trailer | Warner Bros. Entertainment

Thumbnail for video: Judy Garland and Fred Astaire Perform ‘Easter Parade' | Easter Parade (1948) | TCM

Judy Garland and Fred Astaire Perform ‘Easter Parade' | Easter Parade (1948) | TCM

Thumbnail for video: Easter Parade

Easter Parade

Thumbnail for video: Easter Parade | I Want To Go Back to Michigan (Judy Garland) | Warner Bros. Entertainment

Easter Parade | I Want To Go Back to Michigan (Judy Garland) | Warner Bros. Entertainment

Thumbnail for video: Easter Parade | A Couple of Swells (Fred Astaire, Judy Garland) | Warner Bros. Entertainment

Easter Parade | A Couple of Swells (Fred Astaire, Judy Garland) | Warner Bros. Entertainment

Thumbnail for video: Easter Parade | WhenThe Midnight Choo-Choo Leaves for Alabama | Warner Bros. Entertainment

Easter Parade | WhenThe Midnight Choo-Choo Leaves for Alabama | Warner Bros. Entertainment

Thumbnail for video: Easter Parade (1948) Official Trailer - Judy Garland, Fred Astaire Movie HD

Easter Parade (1948) Official Trailer - Judy Garland, Fred Astaire Movie HD

Cast

Photo of Judy Garland

Judy Garland

Hannah Brown

Photo of Fred Astaire

Fred Astaire

Don Hewes

Photo of Peter Lawford

Peter Lawford

Jonathan Harrow III

Photo of Ann Miller

Ann Miller

Nadine Hale

Photo of Jules Munshin

Jules Munshin

François

Photo of Richard Beavers

Richard Beavers

Singer ("The Girl on the Magazine Cover")

Photo of Lola Albright

Lola Albright

Hat Model / Showgirl (uncredited)

Photo of Shirley Ballard

Shirley Ballard

Showgirl (uncredited)

Photo of June Gale

June Gale

Minor Role (uncredited)

Photo of Joi Lansing

Joi Lansing

Hat Model / Showgirl (uncredited)

Photo of Robert Emmett O'Connor

Robert Emmett O'Connor

Policeman (uncredited)

Photo of Harold Miller

Harold Miller

Diner in Restaurant (uncredited)

Photo of Jeni Le Gon

Jeni Le Gon

Essie (uncredited)

Photo of Sara Shane

Sara Shane

Showgirl (uncredited)

Photo of Dante DiPaolo

Dante DiPaolo

Dancer (uncredited)

Photo of Jimmie Dodd

Jimmie Dodd

Cabby (uncredited)

Photo of Dolores Donlon

Dolores Donlon

Showgirl (uncredited)

Photo of Harry Fox

Harry Fox

Desk Clerk (uncredited)

Photo of Ruth Hall

Ruth Hall

Showgirl (uncredited)

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Reviews

G

CinemaSerf

7/10

After he's left a bit high and dry by his established partner "Nadine" (Ann Miller), acclaimed song and dance man "Hewes" (Fred Astaire) makes a rather drunken promise to their pal "Jonathan" (Peter Lawford) that her replacements are ten-a-penny. The words are barely out of his mouth when he encounters "Hannah" (Judy Garland) who's making $15 a week as a dancer on the stage in a club. She has potential, thinks he, and so he ups her wages a bit and invites her to train with him. From here on in, this plot is fairly predictable so don't expect anything remotely left-field. What we do get, though, is a classy and charming romance that's peppered with half a dozen energetically choreographed routines that prove quite a feat for a woman usually wearing six-inch heels and an ankle-length skirt! Obviously, everyone does their own singing - to the likes of Irving Berlin's "It Only Happens When I Dance With You"; "A Couple of Swells" and the title track and these songs showcase not just the powerful voice of Garland, but also of the fainter but equally soothing dulcets of the dapper Astaire too. Lawford doesn't really trouble the scorers but does enough and Miller plays the increasingly irked "Nadine' - "Shakin' the Blues Away", quite entertainingly as the film gathers pace. It's precision film-making at it's most natural, is colourful, lively, occasionally quite pithily written and well worth a watch.

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