Eiffel

You will never look at it the same way again.

6.3
20211h 48m

Production

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The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past.

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Trailers & Videos

Thumbnail for video: Official Trailer

Official Trailer

Cast

Photo of Romain Duris

Romain Duris

Gustave Eiffel

Photo of Emma Mackey

Emma Mackey

Adrienne Bourgès

Photo of Pierre Deladonchamps

Pierre Deladonchamps

Antoine Restac

Photo of Armande Boulanger

Armande Boulanger

Claire Eiffel

Photo of Andranic Manet

Andranic Manet

Adolphe Salles

Photo of Alexandre Steiger

Alexandre Steiger

Jean Compagnon

Photo of Philippe Hérisson

Philippe Hérisson

Edouard Lockroy

Photo of Jérémy Lopez

Jérémy Lopez

Maurice Koechlin

Photo of Damien Zanoly

Damien Zanoly

Émile Nouguier

Photo of Clémence Boué

Clémence Boué

Madame Lockroy

Photo of Julien Sarazin

Julien Sarazin

Ouvrier boîte à sable 11

Photo of Juliette Blanche

Juliette Blanche

Amie d'Adrienne

Photo of Sophie Fougère

Sophie Fougère

Mme Bourgès

Photo of Philippe Richardin

Philippe Richardin

Membre du conseil

Photo of Stéphane Page

Stéphane Page

Invité Bourgès 2

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Reviews

G

CinemaSerf

6/10

Romain Duris turns in a creditable enough performance but otherwise this is a rather lacklustre mix of romance and engineering that veers way too much to the former than the latter. The narrative tries to run the twin threads of his younger years - where he builds a bridge and falls in love with "Adrienne" (Emma Mackey) with a contemporary one that sees him bidding in a competition to design the Parisian entry for the 1889 World Fair. His plan to build a 300m tower wins - it beat the Mètro - but pretty quickly he faces industrial issues, strikes, banking confidence colly-wobbles and to add to his complications, he re-alights on "Adrienne", by now married to the influential "Antoine" (Pierre Deladonchamps). There are a few scenes - especially when they are laying the foundations to the tower and when aligning the metal works, when the engineering elements impress and we get some clue as to his genius. The use of sand, water and sheer brute force to ensure millimetre accuracy is sometimes quite tensely portrayed here. Unfortunately, though, for the most part it's a rather uninspiring melodrama about his turbulent relationship and though it does offer an interesting explanation as to why the tower might look like the letter "A", it all just sinks into a rather mediocre sediment of mush. The production looks good, the costumes and settings are well presented, but the rest of it is unremarkable and I found myself wondering why I thought he wasn't Maximillian Schell and she wasn't Margot Robbie. One for the telly, I'd say.

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