Gambit

Go Ahead: Tell the End (It's Too Hilarious to Keep Secret) But Please Don't Tell the Beginning!

7.0
19661h 49m

Production

Logo for Universal Pictures

Harry Dean is a career burglar set on stealing a piece of priceless art from the world's wealthiest man, Mr. Shahbandar. With the help of exotic showgirl Nicole Chang, he concocts the perfect scheme for how the robbery should go and lays it out point by point. However, when the team tries to execute the plan, perfection and reality don't quite match up, and Harry's vision begins to unravel in this twisty tale of a heist gone wrong.

Trailers & Videos

Thumbnail for video: Gambit (1966) Original Trailer [HD]

Gambit (1966) Original Trailer [HD]

Cast

Photo of Herbert Lom

Herbert Lom

Shahbandar

Photo of Richard Angarola

Richard Angarola

Colonel Salim

Photo of Maurice Marsac

Maurice Marsac

Hotel Clerk

Photo of Jan Arvan

Jan Arvan

Airport Official (uncredited)

Photo of Noel De Souza

Noel De Souza

Head Porter (uncredited)

Photo of James Lanphier

James Lanphier

Garage Attendant (uncredited)

Photo of Tanya Lemani George

Tanya Lemani George

Lighter Fluid Saleswoman (uncredited)

Photo of Vic Tayback

Vic Tayback

Plainclothes Officer at TWA Counter (uncredited)

Photo of Jack Berle

Jack Berle

Departing Airline Passenger (uncredited)

Photo of George Calliga

George Calliga

Cafe Patron (uncredited)

Photo of Hal Taggart

Hal Taggart

Hotel Guest (uncredited)

Photo of Than Wyenn

Than Wyenn

Airport Official (uncredited)

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Reviews

G

CinemaSerf

7/10

When you hear the opening bars of the score to this, you immediately think of "Lawrence of Arabia" - it has the hallmark of Maurice Jarre long before anyone has to blow any bloody doors off! Thereafter, it's a fun, classy little crime caper which sees Michael Caine recruit Shirley MacLaine to help fleece reclusive billionaire Herbert Lom of a priceless bust from his burglar-proof penthouse suite. The story is fast paced with plenty of gadgets and some quite witty dialogue; MacLaine is great as the not so daft foil to Caine's crooked faux-aristocrat, but Lom steals this as the not so gullible mark. Arnold Moss and John Abbott also turn in good, if brief, performances with the latter definitely getting the last

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