Phantom of the Paradise
He sold his soul for rock n’ roll!
Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.
Trailers & Videos

Trailer

Official Trailer

Goodbye, Eddie, Goodbye...

Excerpt from the Fantasia interview with Paul Williams

Clip: Life At Last

Brian De Palma On Visualizing Scenes Before Shooting Them

Split Screen Car Bomb

Paul Williams Discusses Jessica Harper's Song
Cast

William Finley
Winslow Leach / The Phantom

Paul Williams
Swan

Jessica Harper
Phoenix

George Memmoli
Philbin

Gerrit Graham
Beef

Archie Hahn
The Juicy Fruits / The Beach Bums / The Undeads

Jeffrey Comanor
The Juicy Fruits / The Beach Bums / The Undeads

Peter Elbling
The Juicy Fruits / The Beach Bums / The Undeads

Jim Bohan
Swan's Entourage

Jennifer Ashley
Groupie

Janus Blythe
Groupie

Robin Mattson
Groupie

Patrice Rohmer
Groupie

Cheryl Smith
Groupie

Gene Gross
Warden

Ken Carpenter
Stagehand

Sara Ballantine
Dancer

Adam Wade
Reporter

Angelyne
Auditioning Singer (uncredited)

Shelly Desai
Dental Health Volunteer (uncredited)
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Reviews
CinemaSerf
William Finley as the eponymous character and Paul Williams as the duplicitous record producer "Swan" both ham up enjoyably in this update of the Gaston Leroux novel. "Finley" is writing a cantata, parts of which are overheard by the unscrupulous "Swan" who gets his sidekick "Philbin" (George Memmoli) to pinch the score. Next thing, auditions are ongoing and the poor old writer has been well and truly sidelined. He's determined to wreak his revenge, a determination amplified after an accident sees him hideously disfigured. With chaos ensuing all around, "Swan" decides to try and make a peace with his nemesis - but pretty soon it's clear that's never going to work and as the opening night of the rock club "The Paradise" looms ever closer, you have to wonder if you'd really want a ticket after all. It's good fun this film with some entertaining performances at the top, Jessica Harper holds her own as the feisty chanteuse "Phoenix" and there's just about enough menacing megalomania to prevent it descending into farce. It's quite easy to see how many subsequent films or concepts it may have spawned as it takes much from musical theatre and high drama and mingles them into something that's a sort of an hybrid of the "Man from U.N.C.L.E" and "Jesus Christ Superstar". Williams also wrote much of the of the original soundtrack with a few power ballads packed in to keep the pace moving along and it's worth sticking about for the credits. It has dated, but I still enjoyed it.
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