Society of the Snow

Based on a remarkable true story.

8.0
20232h 24m

Production

Logo for Netflix

On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.

Trailers & Videos

Thumbnail for video: Official Trailer [Subtitled]

Official Trailer [Subtitled]

Thumbnail for video: Brian Williams, J.A. Bayona, and Enzo Vogrincic on Society of the Snow

Brian Williams, J.A. Bayona, and Enzo Vogrincic on Society of the Snow

Thumbnail for video: J. A. Bayona on Crafting Society of the Snow and Honoring the Survivors

J. A. Bayona on Crafting Society of the Snow and Honoring the Survivors

Thumbnail for video: Making of Society of the Snow | Who Were We on the Mountain?

Making of Society of the Snow | Who Were We on the Mountain?

Thumbnail for video: Javier Bardem and J.A. Bayona with the Society of the Snow Cast - In Conversation [Subtitled]

Javier Bardem and J.A. Bayona with the Society of the Snow Cast - In Conversation [Subtitled]

Thumbnail for video: J.A. Bayona and Tom Holland on Society of the Snow

J.A. Bayona and Tom Holland on Society of the Snow

Thumbnail for video: Resilience: Behind the Scenes of Survival [Subtitled]

Resilience: Behind the Scenes of Survival [Subtitled]

Thumbnail for video: 'Society of the Snow' | Scene at The Academy

'Society of the Snow' | Scene at The Academy

Thumbnail for video: J.A. Bayona on Directing Society of the Snow [Subtitled]

J.A. Bayona on Directing Society of the Snow [Subtitled]

Thumbnail for video: The Making of Society of the Snow | The #DolbyInstitute Podcast

The Making of Society of the Snow | The #DolbyInstitute Podcast

Cast

Photo of Enzo Vogrincic

Enzo Vogrincic

Numa Turcatti

Photo of Agustín Pardella

Agustín Pardella

Fernando "Nando" Parrado

Photo of Matías Recalt

Matías Recalt

Roberto Canessa

Photo of Esteban Bigliardi

Esteban Bigliardi

Javier Methol

Photo of Diego Vegezzi

Diego Vegezzi

Marcelo Pérez del Castillo

Photo of Esteban Kukuriczka

Esteban Kukuriczka

Adolfo "Fito" Strauch

Photo of Francisco Romero

Francisco Romero

Daniel Fernández Strauch

Photo of Rafael Federman

Rafael Federman

Eduardo Strauch

Photo of Valentino Alonso

Valentino Alonso

Alfredo "Pancho" Delgado

Photo of Tomás Wolf

Tomás Wolf

Gustavo Zerbino

Photo of Agustín Della Corte

Agustín Della Corte

Antonio "Tintin" Vizintín

Photo of Felipe Otaño

Felipe Otaño

Carlitos Páez

Photo of Andy Pruss

Andy Pruss

Roy Harley

Photo of Blas Polidori

Blas Polidori

Gustavo "Coco" Nicolich

Photo of Felipe Ramusio

Felipe Ramusio

Diego Storm

Photo of Simón Hempe

Simón Hempe

José Luis "Coche" Inciarte

Photo of Luciano Chattón

Luciano Chattón

Pedro Algorta

Photo of Rocco Posca

Rocco Posca

Ramon "Moncho" Sabella

Photo of Paula Baldini

Paula Baldini

Liliana Navarro de Methol

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Reviews

M

Manuel São Bento

8/10

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/society-of-the-snow-review-a-harrowing-tale/

"Society of the Snow unquestionably solidifies J. A. Bayona's status as an absurdly underrated filmmaker.

One of the most unbelievable, harrowing survival stories ever recreated, brought to life by a truly remarkable ensemble cast, breathtaking cinematography that captures the awe-inspiring yet treacherous landscapes, a deeply stirring score that tugs at the heartstrings, and a plane crash sequence like you've never seen before.

The convergence of these elements transforms an admittedly predictable survival piece into a visceral, emotionally resonant experience, urging audiences to reflect on the thoughtfully handled themes of human resilience, beliefs, and perseverance.

A must-watch, especially on the big screen if possible."

Rating: A-

M

Ritesh Mohapatra

Society of the Snow is an incredible yet harrowing survival drama exemplifying true grit and trauma

My Score : 90/100

Based on true events and a book by the same name, Society Of The Snow follows the story of a Uruguayan Rugby team whose plane crashes in the Andes Mountains while being on their way to Chile. Society of the Snow is haunting survival drama which accounts for the 70 days of the survivors in the sea of snow between the borders of Argentina and Chile. With a spine chilling screenplay and tragic events that follow, the film never feels 150mins long. I was just a hopeless spectator of the trauma the survivors went through. As gut wrenching and painful it may seem, the film efficiently exemplifies true grit and determination for survival which kept the Uruguyans going.

The cinematography is incredibly good capturing some beautiful frames of the landscape while balancing it with tight close-ups that will evoke a sense of claustrophobia in you too. The editing is crisp and sharp wherein the length of the drama never bothered me. Director J.A. Bayona has excelled in focusing on the event rather than deep diving into character studies. His direction is top notch. Its a crime not to highlight the excellent sound design which shifts gears with tragic turn of events. Ensemble performances are fantastic and make it more realistic. The conversations are emotional and dialogues are equally well written which leaves a lasting impression.

Overall, With a runtime of 145mins Society of the Snow shines as one of the most eventful screenplays of the genre that makes you gasp for your breath at various junctures of the narrative. It is intense, harsh and quite overwhelming thus making for an intriguing and incredible watch. Survival dramas at its finest. Spain’s Official Entry to the Academy Awards this year and I cant agree more.

Instagram & X : @streamgenx

C

Chandler Danier

9/10

Pass me another piece of Society of the Snow. One shot of them walking the ridge made me nauseous. Mind-bending natural prison takes a while to come to light. Nice and personal, close shots keep the focus on the characters otherwise. Great crash scene. Ooohhhh my ankles.

B

BornKnight

8/10

Pretty realistic movie of the events of the tragedy of the uruguayan flight with the that crashed in the Andes in 72, showing the strive for survival and realistic events that occurred (including the cannibalism as last resort for survival when the searches were stopped).

The film closed the 80th Venice International Film Festival, and was selected as the Spanish entry for the Best International Feature Film at the 96th Academy Awards.

The flight was carrying 45 passengers and crew, including 19 members of the Old Christians Club rugby union team, along with their families, supporters and friends. Out of the initial crash, 33 people survived but with natural exposure, starvation, infection and other causes the final number was 16. This because, two survivors, Nando Parrado and Roberto Canessa, climbed the 4,650-metre (15,260 ft) mountain peak on the western rim of the glacier cirque without any mountaineering gear whatsoever and hiked for 10 days into Chile to seek help, traveling 61 km (38 miles) to find a rescue team by helicopters.

On 23 December 1972, two months after the crash, all 16 remaining survivors were rescued. The news of their miraculous survival drew worldwide headlines and evolved into a media circus about the fact of cannibalism.

The director J. A. Bayona (The Orphanage, The Impossible, A Monster Calls, Jurassic World: Fallen Kingdom), discovered the book of one of the survivors while researching material for the Impossible and bought the rights for the book when he finished filming that movie, while taking more than 100h of interviews with the survivors, and was shoot in location around the crash site and into the actual crash site coasting mor than 60 million Euros.

The cinematography by Pedro Luque (Antbellum, Don't Breathe , Blue Beetle, The Girl into the Spider Web) is pretty gritty and realistic, and prosthetics by David Martí and Montse Ribé, Academy Award–winning special effects makeup artists of Pan's Labyrinth were used.

In general the best of the movie depicting the events, in a more than realistic way than Alive.

Score: 8.1 out of 10.0 / A-

G

CinemaSerf

7/10

If you're at all familiar with Ethan Hawke's "Alive" (1993) then you'll have the gist of this story of the Uruguayan rugby team whose aircraft came down after heavy turbulence, stranding them amidst the wreckage high up in the Andes mountains. Of the forty who embarked, only sixteen remain and it now falls to them to demonstrate the ultimate in team spirit if they are to fight the cold, hunger, fear, avalanches and each other to survive. Juan Bayona has created a really uncomfortable film to watch here, engendering some strong performances from Enzo Vogrincic (Turcatti) and Agustín Pardella (Nando) as they are forced to drink melted snow and - well you can use your imagination as to how they had to find enough food to survive the sub-zero temperatures whilst - they hoped - help would find them. It's the pristine cinematography that helps this stand out - we really do get a sense of the hostility of this terrain, the cold and the dark; the cloud line making an airborne search for them all but impossible. Should some of them set off to search lower down or is their greater safety in numbers? It's history, so we do know what happened back in 1972 - but even that doesn't impact too much on the gradually increasing senses of peril, claustrophobia and terror and of the best and worst aspects of human nature when facing a crisis. An ensemble effort really, with a team of actors presenting a convincing and compellingly chilling tale of survival that's well crafted by those behind the camera too.

N

nickmista

5/10

A decent premise with a passable execution. The film seems like it portrays events relatively faithfully but in doing so perhaps neglects narrative drive or meaningful plot development. I think the film would have been a lot tighter if 15-25 minutes of waiting in the snow was skipped over more briefly. The length of time they were trapped was of course a huge part of their miraculous story but i don't think the film did a great job of portraying that on screen. I kept wondering "why doesn't someone go seeking help when they know no one is looking for them?" and i don't think the film adequately addressed that question either in action or dialogue. Character development was negligible with the film noticeably dragging through the middle portion without a compelling reason. Not a film i'll likely remember nor one i'd recommend seeing.

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