Stand Up and Cheer!

4.9
19341h 9m

Production

Logo for Fox Film Corporation

President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.

Cast

Photo of Warner Baxter

Warner Baxter

Lawrence Cromwell

Photo of Madge Evans

Madge Evans

Mary Adams

Photo of James Dunn

James Dunn

Jimmy Dugan

Photo of Sylvia Froos

Sylvia Froos

Sylvia Froos

Photo of John Boles

John Boles

John Boles

Photo of Arthur Byron

Arthur Byron

John Harly

Photo of Shirley Temple

Shirley Temple

Shirley Dugan

Photo of Ralph Morgan

Ralph Morgan

Secretary to President

Photo of Frank Mitchell

Frank Mitchell

Senator Danforth

Photo of Jack Durant

Jack Durant

Senator Short

Photo of Dick Foran

Dick Foran

Nick Foran

Photo of Nigel Bruce

Nigel Bruce

Eustis Dinwiddle

Photo of Stepin Fetchit

Stepin Fetchit

Stepin Fetchit

Photo of Lynn Bari

Lynn Bari

White House Secretary / Chorine (uncredited)

Photo of Scotty Beckett

Scotty Beckett

Boy Auditioning for Miss Adams (uncredited)

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Reviews

G

CinemaSerf

5/10

This starts off quite promisingly, with a bumbling 'Dinwiddle" (Nigel Bruce) explaining to awaiting reporters just what his job as chief scout for Broadway impresario "Cromwell" (Warner Baxter) actually is. Then, right on cue, his boss arrives by gyro-copter on the White House lawn for a meeting at which the President offers him a $100m budget and one year as "Secretary of Amusement". His task? Cheer up the American populace after the misery of the 1920s. He quickly assembles his own cabinet - including "Mary" (Madge Evans) as his minister for children and sets about making us all smile. Sadly, Baxter and Evans - and their predictably evolving affection - feature but sparingly in what is essentially a compendium of just about every style entertainment act around at the time. An early outing for the smiling Shirley Temple is probably most notable, but even she struggles to breath much life into this almost documentary style film that could serve well as an history of what made Americans laugh in the early thirties. Some of the artistes work better than others, but a weak, occasionally politically driven, narrative and an off-form effort from what we do see of Baxter just doesn't really work. It watchable as a nostalgia exercise, but as little else I'm afraid.

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