Sunset

They broke every rule, loved every woman, took every risk and solved the most shocking murder in the history of Beverly Hills. And it's all true. Give or take a lie or two.

5.7
19881h 47m

Production

Logo for Cecchi Gori Group Tiger Cinematografica
Logo for TriStar Pictures

Tom Mix and Wyatt Earp team up to solve a murder at the Academy Awards in 1929 Hollywood.

Trailers & Videos

Thumbnail for video: "Sunset" Movie Trailer

"Sunset" Movie Trailer

Cast

Photo of James Garner

James Garner

Wyatt Earp

Photo of Malcolm McDowell

Malcolm McDowell

Alfie Alperin

Photo of Mariel Hemingway

Mariel Hemingway

Cheryl King

Photo of Kathleen Quinlan

Kathleen Quinlan

Nancy Shoemaker

Photo of Jennifer Edwards

Jennifer Edwards

Victoria Alperin

Photo of Patricia Hodge

Patricia Hodge

Christina Alperin

Photo of Richard Bradford

Richard Bradford

Captain Blackworth

Photo of M. Emmet Walsh

M. Emmet Walsh

Chief Marvin Dibner

Photo of Joe Dallesandro

Joe Dallesandro

Dutch Kieffer

Photo of Dann Florek

Dann Florek

Marty Goldberg

Photo of Dermot Mulroney

Dermot Mulroney

Michael Alperin

Photo of Miranda Garrison

Miranda Garrison

Spanish Dancer

Photo of Castulo Guerra

Castulo Guerra

Pancho (as Cástulo Guerra)

Photo of Dakin Matthews

Dakin Matthews

William Singer

Photo of Vernon Wells

Vernon Wells

Australian Houseman

Photo of Kenny Call

Kenny Call

Cowboy Fred

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Reviews

D

DrewBlack

9/10

This is one of those cases of a movie that should have worked way better than it did.

Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it.

The production and time setting is awesome, with a shoutout to the costume design. Mix's especially.

The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting.

Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well.

Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way.

McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain.

But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west.

Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.

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