Sylvia Scarlett

You will thrill to every unforgettable moment of this different, charming love story of a woman who almost waited too long... before she dared admit that she was a woman!

6.3
19351h 35m

Production

Logo for RKO Radio Pictures

When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.

Trailers & Videos

Thumbnail for video: SYLVIA SCARLETT — Katharine Hepburn pays for her transgressions | MUBI Podcast

SYLVIA SCARLETT — Katharine Hepburn pays for her transgressions | MUBI Podcast

Thumbnail for video: Sylvia Scarlett — "Rolling Stone"

Sylvia Scarlett — "Rolling Stone"

Cast

Photo of Katharine Hepburn

Katharine Hepburn

Sylvia/Sylvester Scarlett

Photo of Cary Grant

Cary Grant

Jimmy Monkley

Photo of Brian Aherne

Brian Aherne

Michael Fane

Photo of Edmund Gwenn

Edmund Gwenn

Henry Scarlett

Photo of Natalie Paley

Natalie Paley

Lily (uncredited)

Photo of Dennie Moore

Dennie Moore

Maudie (uncredited)

Photo of Frank Moran

Frank Moran

Minor Role (uncredited)

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Reviews

G

CinemaSerf

6/10

Of all of the collaborative efforts that Katharine Hepburn ever made, this one has to be the most bizarre. Not because it is bad - though it isn't actually very good - but because she spends much of it a boy! Upon the death of her mother, her father (Edward Gwenn) must flee his creditors and so she ("Sylvia/Sylvester") determines to accompany him, cutting her Rapunzel-like locks and donning a suit as she goes. They encounter dapper rogue "Monkley" (Cary Grant) on the boat to England where they conduct a series of petty cons. Determined to get straight, she sets them all up as a seaside entertainment troupe and all goes well until she meets the dashing Brian Aherne ("Michael Fane") and starts to want to be a girl again. Can she tell him? How? Things are not helped by his keenness on "Lily Levetsky"... The dialogue is pretty weak, and rather relentless - and once the joke/gimmick wears off we are exposed to a rather lacklustre, almost pantomime, style of of story. Grant and Hepburn look like they are enjoying themselves and that certainly helps, but the humour is just a touch too contrived to last the seemingly long 90 minutes. Glad I've seen it, but I'm not sure I could recommend it.

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