The Chase

A breathless explosive story of today!

7.1
19662h 15m

The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.

Trailers & Videos

Thumbnail for video: The Chase (1966) ORIGINAL TRAILER [HD 1080p]

The Chase (1966) ORIGINAL TRAILER [HD 1080p]

Cast

Photo of Marlon Brando

Marlon Brando

Sheriff Calder

Photo of Jane Fonda

Jane Fonda

Anna Reeves

Photo of Robert Redford

Robert Redford

Charlie 'Bubber' Reeves

Photo of E.G. Marshall

E.G. Marshall

Val Rogers

Photo of Angie Dickinson

Angie Dickinson

Ruby Calder

Photo of Janice Rule

Janice Rule

Emily Stewart

Photo of Miriam Hopkins

Miriam Hopkins

Mrs. Reeves

Photo of Martha Hyer

Martha Hyer

Mary Fuller

Photo of Robert Duvall

Robert Duvall

Edwin Stewart

Photo of Richard Bradford

Richard Bradford

Damon Fuller

Photo of Diana Hyland

Diana Hyland

Elizabeth Rogers

Photo of James Fox

James Fox

Jason 'Jake' Rogers

Photo of Jocelyn Brando

Jocelyn Brando

Mrs. Briggs

Photo of Lori Martin

Lori Martin

Cutie Bess

Photo of Clifton James

Clifton James

Lem Brewster

Photo of Nydia Westman

Nydia Westman

Mrs. Henderson

More Like This

Reviews

W

Wuchak

6/10

**_A Southern town given to drunken revelry & vigilantism with Brando as the voice of reason_**

Bubber Reeves (Robert Redford) escapes from prison and this affects the populace of an East Texas town. Marlon plays the sheriff who tries to track down Bubber's whereabouts while Angie Dickinson is on hand as his supportive wife. Jane Fonda plays Bubber's ex-girlfriend and James Fox her secret beau. Janice Rule appears as a drunken woman of dubious morality, Robert Duvall her hubby, and Richard Bradford one of the men with whom she cheats.

"The Chase" is mid-60's Southern Gothic in the manner of "The Fugitive Kind" (1960), "In the Heat of the Night" (1967), "Cape Fear" (1962), "This Property Is Condemned" (1966) and "The Long, Hot Summer" (1958). It's arguably on par with most of these, but is significantly superior to the last one. The first act is weak as it establishes the characters, but the story becomes captivating starting with the second act and the surreal drunken party at the mogul's mansion (and the teens in a neighboring abode). Imagine if "Village of the Giants" (1965) was shot as a serious melodrama, minus the giants, and that's the general vibe.

The movie addresses elements of hedonism, racism, sexual revolution (with several of the players involved in affairs), political corruption (the sheriff is wrongly thought to be bought by the town mogul), and vigilante non-justice. The most iconic scene is when the sole voice of reason is viciously beaten by the mogul (E.G. Bradford), along with his buds. Marlon later cited this as an example of his renowned Method approach. The wild last act in an auto graveyard is also notable.

Despite the picture's many strengths, it's too meandering and unfocused to be wholly effective as Arthur Penn's great "Bonnie and Clyde" (1967). But you can't beat the cast, especially Brando. Look for a young Paul Williams as one of the partying teens.

It runs 2 hours, 13 minutes, and was shot in California (Calabasas, Chico, Agoura & Burbank studios).

GRADE: B/B- (6.5/10)

You've reached the end.