Cast

Loretta Young
Berengaria, Princess of Navarre

Henry Wilcoxon
Richard, King of England

Ian Keith
Saladin

C. Aubrey Smith
The Hermit

Katherine DeMille
Alice, Princess of France

Joseph Schildkraut
Conrad, Marquis of Montferrat

Alan Hale
Blondel

C. Henry Gordon
Philip the Second, King of France

George Barbier
Sancho, King of Navarre

Montagu Love
The Blacksmith

Lumsden Hare
Robert, Earl of Leicester

Maurice Murphy
Alan, Richard's Squire

William Farnum
Hugo, Duke of Burgundy

Hobart Bosworth
Frederick, Duke of the Germans

Pedro de Cordoba
Karakush

Mischa Auer
Monk

Albert Conti
Leopold, Duke of Austria

Sven Hugo Borg
Sverre, the Norse King

Fred Malatesta
William, King of Sicily

Hans Heinrich von Twardowski
Nicholas, Count of Hungary
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Reviews
CinemaSerf
It's probably best to start off by saying that this is most certainly not an history lesson. Cecil B. De Mille has used the third crusade as little more than a template for his grand-scale story of Richard the Lion-heart (an efficient Henry Wilcoxon) as he capitalises on this holy quest as an excuse to avoid marrying the ambitious Princess Alice (Katherine de Mille), sister to co-crusader Philip II of France (C. Henry Gordon). En route to Jerusalem, they must provision in Navarre where the shrewd King Sancho (a rather fun George Barbier) sees an opportunity to offload his beautiful daughter Berengaria (Loretta Young) in return for victualling the army... We know that Richard and Berengaria were really in love, and for the rest of the film De Mille sticks to the script - but that's what rather drags it down. There are plenty of exciting siege and battle scenes around the city of Acre as the Christians attempt to reverse the Saracen battle spoils of the great Saladin (an effectively cast Ian Keith), but each time we return to the smouldering Young and her Rapunzel-like locks - whom, by now, is the object of both men's obsession The director is in his element with the big, set-piece action scenes and the photography from Victor Milner (who also did "Cleopatra" (1934) with de Mille) adds much to the epic-style look of the film, but Wilcoxon and Young don't really present us with an engaging pairing; and any sense of duplicity - particularly involving the conspiring French, is left too peripheral to the smouldering romance to make this as good as it could have been... There is a sterling performance from C. Aubrey Smith as the holy man, released at the beginning by Saladin and who goes on to mobilise the Christian armies to challenge the Islamic horde; and Alan Hale is quite effective in the role of the minstrel. Overall, I really enjoy these derring-do, heroic, adventure films and I did enjoy this - it's just that it could have been more rousing and less of a love story.
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