The Long Arm

The True Inside Story of Scotland Yard's Crime Busters!

7.0
19561h 36m

Production

Logo for Ealing Studios

Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

Cast

Photo of Jack Hawkins

Jack Hawkins

Supt Tom Halliday

Photo of John Stratton

John Stratton

Sergeant Ward

Photo of Dorothy Alison

Dorothy Alison

Mary Halliday

Photo of Sam Kydd

Sam Kydd

Police Constable in Information Room

Photo of Glyn Houston

Glyn Houston

Detective Sergeant in 'Q' car

Photo of Richard Leech

Richard Leech

Nightwatchman / Gilson

Photo of Geoffrey Keen

Geoffrey Keen

Chief Superintendent Jim Malcolm

Photo of Arthur Rigby

Arthur Rigby

Detective Inspector at Chester

Photo of Ralph Truman

Ralph Truman

Colonel Blenkinsop

Photo of Ian Bannen

Ian Bannen

The Young Workman - Stanley James

Photo of Joss Ambler

Joss Ambler

Cashier at Shipping Office

Photo of Alec McCowen

Alec McCowen

House Surgeon

Photo of Harry Locke

Harry Locke

Secondhand Dealer

Photo of Nicholas Parsons

Nicholas Parsons

Police Constable Bates

Photo of Ursula Howells

Ursula Howells

Mrs. Elliot / Mrs. Gilson

Photo of Harold Goodwin

Harold Goodwin

Official at Somerset House

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Reviews

J

John Chard

8/10

The key is to follow the key!

The Long Arm is directed by Charles Frend and written by Janet Green and Robert Barr. It stars Jack Hawkins, John Stratton, Dorothy Alison and Michael Brooke. Music is by Gerard Schurmann and cinematography by Gordon Dines.

Detective-Superintendent Tom Halliday (Hawkins) heads up an investigation into a number of safe cracking robberies. Which in turn turns into a murder investigation.

Out of Ealing Studios, this is a little cracker of a police procedural detective mystery. The flow of the investigation is natural, not given over to wild implausibilities, and always the air of mystery is potent. On the outskirts of the investigation there's a running thread about how policemen's wives/girlfriends suffer in their own ways, their men are married to the force, and this is delicately handled by the makers. While the moments of wry levity are not misplaced. Production is spiffing, with a number of London locations vibrantly used and given a film noir sheen by Dines (The Blue Lamp), while Frend (Scott of the Antarctic) keeps it tight and interesting whilst getting grand perfs from the cast - notably a wonderfully regal Hawkins.

So if you are looking for an old time British policer that doesn't insult your intelligence, then you need look no further. 8/10

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