The MacKintosh Man

Only MacKintosh can save them now - and MacKintosh is dead!

6.1
19731h 39m

Production

Logo for Warner Bros. Pictures

A member of British Intelligence assumes a fictitious criminal identity and allows himself to be caught, imprisoned, and freed in order to infiltrate a spy organization and expose a traitor; only, someone finds him out and exposes him to the gang...

Trailers & Videos

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The Mackintosh Man

Cast

Photo of Dominique Sanda

Dominique Sanda

Mrs. Smith

Photo of James Mason

James Mason

Sir George Wheeler

Photo of Harry Andrews

Harry Andrews

Mackintosh

Photo of Nigel Patrick

Nigel Patrick

Soames-Trevelyan

Photo of Peter Vaughan

Peter Vaughan

Brunskill

Photo of Robert Lang

Robert Lang

Jack Summers

Photo of Hugh Manning

Hugh Manning

Prosecutor

Photo of Noel Purcell

Noel Purcell

O'Donovan

Photo of Eddie Byrne

Eddie Byrne

Fisherman

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Reviews

J

John Chard

7/10

Spy Vs Spy.

The Mackintosh Man is directed by John Huston and adapted to screenplay by Walter Hill and William Fairchild from The Freedom Trap written by Desmond Bagley. It stars Paul Newman, Dominique Sanda, Ian Bannen, James Mason, Michael Horden and Harry Andrews. Music is by Maurice Jarre and cinematography by Oswald Morris.

Spy shenanigans unbound as Newman plays Joseph Rearden, a hired agent for the British Intelligence who pulls a job on the orders of The Mackintosh Man (Andrews), and finds himself sent to prison for 20 years. But this is all part of a greater plan…

A well performed and serviceable drama, if a bit of a let down come the final third. The most fun and intrigue comes about once Rearden enters prison and the initial part of plotting once he is broken out, then it sort of loses its way, trying to make a simple story more intricate than it is. There’s good mystery viewing to be found in working out the means and motives of the major players, and there’s no shortage of action and sizzle either as Rearden is thrust into a world of espionage and counter espionage. There’s a ream of suspicious accents to ignore and Jarre’s musical score tries to reach the heights of Anton Karas’ work on The Third Man, but fails and just comes off as a cheap repetitive attempt at a homage.

More caper movie than intellectual thriller, it’s never less than watchable and the cast are good value for your time. 7/10

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