The Running Man
It is the year 2019. "The Running Man" is a deadly game no one has ever survived. But Schwarzenegger has yet to play.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
Trailers & Videos
Running Man, The - Trailer
The Running Man (1987) Trailer
The Running Man 1987 TV trailer
Cast
Arnold Schwarzenegger
Ben Richards
Richard Dawson
Damon Killian
María Conchita Alonso
Amber Mendez
Yaphet Kotto
William Laughlin
Jim Brown
Fireball
Jesse Ventura
Captain Freedom
Erland van Lidth
Dynamo
Dweezil Zappa
Stevie
Karen Leigh Hopkins
Brenda
Sven-Ole Thorsen
Sven
Edward Bunker
Lenny
Bryan Kestner
Med Tech
Anthony Pena
Valdez
Kurt Fuller
Tony
Ken Lerner
Agent
Dey Young
Amy
Rodger Bumpass
Phil Hilton
Dona Hardy
Mrs. McArdle
Lynne Marie Stewart
Edith Wiggins
More Like This
Reviews
John Chard
I'm not into politics. I'm into survival.
The Running Man is directed by Paul Michael Glaser and adapted from the Stephen King (as Richard Bachman) story by Steven E. de Souza. It stars Arnold Schwarzenegger, Maria Conchita Alonso, Richard Dawson, Yaphet Kotto, Jim Brown, Jesse Ventura, Erland van Lidth, Marvin J. McIntyre, Gus Rethwisch, Professor Toru Tanaka and Mick Fleetwood. Music is by Harold Faltermeyer and cinematography by Thomas Del Ruth.
It may be packed with cheese and is as nutty as a squirrel's sandwich, but this is one astutely entertaining futuristic slice of sci-fi pie. Schwarzenegger becomes a reluctant contestant in the most popular TV show of the time, The Running Man. It's a sadistic show where convicts are thrust into a zonal world and have to avoid an array of stalking killers. Cue lots of outrageous violence, equally outrageous costumes, and of course with Arnold in the lead there's plenty of dialogue zingers. The caustic observation of how television programmes have evolved is potently portentous, and it's all played out to an industrial 80s score from Faltermeyer.
It helps if you know what you are going to get from it, since it's a typical Schwarzenegger movie from the fruity chaotic popcorn era in the 80s. So with that in mind, for A.S. fans this is one to gorge on with glee - for others it may not have the charm offensive required to strike a chord. 7/10
You've reached the end.