The System
A generation who... try not to fall not in love because it's
In a seaside village, a group of local young men mingle among the seasonal tourists in search of sexual conquests. Near the end of one summer, the leader of the group, Tinker, a strolling photographer, aims to conquer a fashion model from a well-to-do family, but he finds himself unexpectedly falling in love. The tables thus turned, Tinker begins to see that maybe it's not the tourists who are being used in these sexual games.
Trailers & Videos

The System 1964 Trailer HD

The System 1964 Trailer
Cast

Oliver Reed
Tinker

Jane Merrow
Nicola

Barbara Ferris
Suzy

Julia Foster
Lorna

Harry Andrews
Larsey

Ann Lynn
Ella

Guy Doleman
Philip

Andrew Ray
Willy

Iain Gregory
Sammy

David Hemmings
David

John Alderton
Nidge

Gwendolyn Watts
First Class Girl

Mark Burns
Michael

Derek Newark
Alfred

Pauline Munro
Sylvie

Derek Nimmo
James

Talitha Pol
Helga

Dora Reisser
Ingrid

Victor Winding
Stan

Patricia Brake
Bewigged Partygoer
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Reviews
CinemaSerf
Oliver Reed is "Tinker". He cuts quite a dashing sight as he and his gang seek a good time in the resorts of Devon. No woman is safe from their charms as they intend to seduce their way through the visiting female population. The eponymous "System" was cleverly devised enabling them to assess the suitability of their marks - allowing the maximum of "fun" and the minimum danger of any sort of commitment. For a while it works until, that is, Reed falls foul of his own methods and becomes smitten with Jane Merrow ("Nicola") the daughter of a wealthy visitor who is quite capable of protecting herself from his advances. What now ensues is their cat ad mouse game, both vying for upper hand and we get a modicum of enjoyment watching the tables turned on the charismatic, and photogenic Reed. The photography can be quite intimate, we feel included to a certain extent in their antics, and it's got quite a decent mod-beat soundtrack starting off with, an admittedly poor, title song from the Searchers - and that all serves to set the scene quite well for this depiction of the callowness of their youth. At times, it authentically delves into the seedier, occasionally violent, side of 19060s Britain, and there is quite an interesting scene where Merrow walks the length of the esplanade (fully clothed) being eyed up by dozens of men in their budgie-smugglers - it is as if they are actually on parade for her, though they'd never admit as much. It's shallow, but I think it's meant to be - and though it really struggles to retain any potency 50-odd years later, (by 2008, it had be re-rated as a 12) it is still quite an interesting observation of the almost tribal behaviour of both sexes when "let loose". The acting is nothing special, it has to be said - this is very much film to look at, and is worth that, still.
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