The Wandering Princess

6.7
19601h 42m

Production

Logo for Daiei Film

Pu Zhe, the younger brother of the Emperor of Manchukuo, marries Ryuko the daughter of an aristocratic family. To the surprise of all, a deep love between Pu Zhe and Ryuko develops and is put to the test when Japan loses the war.

Cast

Photo of Machiko Kyō

Machiko Kyō

Ryûko Korinkakura / Hiroko Aishinkakura

Photo of Eiji Funakoshi

Eiji Funakoshi

Futetsu / Fuketsu Aishinkakura

Photo of Atsuko Kindaichi

Atsuko Kindaichi

Empress Wan Rong

Photo of Sadako Sawamura

Sadako Sawamura

Kazuko Sugawara

Photo of Shōzō Nanbu

Shōzō Nanbu

Hidesato Sugawara

Photo of Chieko Higashiyama

Chieko Higashiyama

Nao Sugawara

Photo of Kiyoko Hirai

Kiyoko Hirai

Tsuruko Takahashi

Photo of Chishū Ryū

Chishū Ryū

Kinoshita

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Reviews

G

CinemaSerf

6/10

This is a beautifully shot if rather lacklustre story of a young woman, of good Japanese family, who is selected to marry the brother of the Emperor of the puppet-state of Manchukuo. Hiro (Machiko Kyô) is none too impressed with the prospect of leaving her comfortable family home to go and live with a stranger, but quickly we discover that her betrothed - Fuketsu (Eiji Funakoshi) - is a decent man and that the two of them live a comfortable but by no means Imperial life. Indeed, they frequently run short of money but his brother Pu Yi appears powerless to do much in the face of the controlling Kwantung military that sustains his fragile rule in the face of an increasingly successful Chinese People's Liberation Army. It is when it becomes clear that the reign is soon to end, and that their society is crumbling that Hiro and the former Empress are captured and must endure hitherto unknown hardships as they trek the length of the country before being imprisoned. The style of the production mixes well the end of the deferential era of life in China and of the rise of the Communist regime that was anything but. The photography, especially as it captures their journey at the end, is effective at giving us a sense of just how tough life had become - even for the soldiers; and the musical score accompanies the whole story well. There is, though, a distinct lack of pace and structure to the thing. It looks good, but the direction lacks impetus and the characters are not really developed very thoroughly. That is a shame because the autobiographical elements could have been used to more potent effect in this otherwise rather underwhelming narrative. I saw this recently on a big (ish) screen and it was well worth it - even if it did make me wonder more why we never see Bertolucci's "Last Emperor" (1987) on general release, or even television, nowadays!

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