This Special Friendship

What Was Their Guilt?

7.8
19641h 36m

Production

Logo for Lux Compagnie Cinématographique de France

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

Cast

Photo of Francis Lacombrade

Francis Lacombrade

Georges de Sarre

Photo of Didier Haudepin

Didier Haudepin

Alexandre Motier

Photo of François Leccia

François Leccia

Lucien Rouvière

Photo of Dominique Maurin

Dominique Maurin

Marc de Blajean

Photo of Louis Seigner

Louis Seigner

Father Lauzon

Photo of Michel Bouquet

Michel Bouquet

Father Trennes

Photo of Lucien Nat

Lucien Nat

Father Superior

Photo of Gérard Chambre

Gérard Chambre

André Ferron

Photo of Henri Coutet

Henri Coutet

The employee of the institution

Photo of Dominique Diamant

Dominique Diamant

Maurice Motier

Photo of Bernard Musson

Bernard Musson

Father teaching

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Reviews

G

CinemaSerf

7/10

As love stories go, this has to be one of the more touching I've seen on film. Set amidst the controlling but not oppressive environment of a Jesuit run school, we meet the young "Comte Georges" (Francis Lacombrade) who develops a friendship with the younger "Alexandre (Didier Haudepin). Now it's not in any way a sexual or predatory relationship, but the two instantly click with the younger lad clearly infatuated with his older friend who sees in "Alexandre" an opportunity to nurture a genuine love and affection. Naturally, the fathers take a fairly dim view of any friendship that suggests even the most platonic degree of intimacies between the boys, and so "Fr. Superior" (Lucien Nat) attempts to put a stop to things by threatening to send "George" away from the school. What now ensues are a series of decisions to be faced by people too young and immature to fully comprehend, let alone, rationalise - and a tragic denouement starts to look increasingly likely as young "Alexandre" really does come across more and more as a "lost sheep". What struck me about this is it's positivity. It's not about abusive priests with canes and excessive doctrine - the Father Superior comes across as a decent man genuinely concerned with the souls of his charges, whilst the two - especially the thoroughly charming Haudepin - just engage as two people whom you could image being friends forever. It has moments of poignancy, of disappointment and of fun - and although maybe it could have taken a bit longer to build the characters more, it is still a potent look at two boys in love - forbidden yet thriving.

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