Where the Wind Blows

The most momentous but unacknowledged chapter in the past thirty years of Hong Kong's history

5.6
20232h 24m

Production

Logo for Mei Ah Entertainment
Logo for Dadi Film Group

The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.

Trailers & Videos

Thumbnail for video: Teaser Trailer [Subtitled]

Teaser Trailer [Subtitled]

Thumbnail for video: Philip Yung Tsz Kwong, Director of  Where the Wind Blows

Philip Yung Tsz Kwong, Director of Where the Wind Blows

Thumbnail for video: Final Trailer [Subtitled]

Final Trailer [Subtitled]

Thumbnail for video: Official Trailer [Subtitled]

Official Trailer [Subtitled]

Cast

Photo of Aaron Kwok

Aaron Kwok

Lui Lok

Photo of Du Juan

Du Juan

Tsai Zhen

Photo of Tse Kwan-Ho

Tse Kwan-Ho

Limpy Ho

Photo of Chui Tien-You

Chui Tien-You

Young Lui Lok

Photo of Lam Yiu-Sing

Lam Yiu-Sing

Young Nam Kong

Photo of Michael Ning

Michael Ning

Young Fat-Bee

Photo of Ron Ng Cheuk-Hai

Ron Ng Cheuk-Hai

Kot Sui-Hung

Photo of Stephen Ho

Stephen Ho

Sai-Wing

Photo of Jessie Li

Jessie Li

Xiao Yue

Photo of Maggie Cheung Ho-Yee

Maggie Cheung Ho-Yee

Limpy Ho's Wife

Photo of Zeng Yixuan

Zeng Yixuan

Xiao Yan

Photo of Tai Bo

Tai Bo

Nian

Photo of Eddie Chen

Eddie Chen

Nam Kong's Father

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Reviews

G

CinemaSerf

6/10

The premiss of this cop drama is quite promising. It depicts a scenario in which the dedication of the few honest officers amongst Hong Kong's colonial police have to combat both their own crooked comrades as well as the increasingly powerful Triad gangs that are gradually overrunning the place - to the extent that the British might have to send in their troops to restore law and order. What also complicates the story is that both "Nam Kong" (Tony Leung) and "Lui Lok" (Aaron Kwok) are aspirational policemen who are prepared to use whatever it takes to get on - and that, coupled with the equally ambitious attitudes of their wives, means that they are just as corrupt and devious as those they are purporting to be trying to control. The thing with this drama is it's pace. It takes far, far, too long to get going with way too little action or intrigue until well into the second hour, by which time I was starting to wriggle in my seat. There's an inevitability about the whole story thereafter and Philip Yung just doesn't manage to create characters about whom I could care less. The whole honour code/triad criminality plot is largely neglected in favour of an half-hearted, semi-westernised, crime thriller that really is distinctly lacking in thrills and that is just too long. It meandered and rambled too much for me with much to much dialogue and nowhere near enough focus on what could have been a really good hybrid-culture, political, adventure. It's OK, watchable, but really nothing more.

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