Yannick

What's my name again?

7.1
20231h 7m

Production

Logo for Chi-Fou-Mi Productions
Logo for Atelier de Production

In the middle of a performance of the play "Le Cocu", a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.

Trailers & Videos

Thumbnail for video: Official International Trailer [Subtitled]

Official International Trailer [Subtitled]

Cast

Photo of Pio Marmaï

Pio Marmaï

Paul Rivière

Photo of Blanche Gardin

Blanche Gardin

Sophie Denis

Photo of Sébastien Chassagne

Sébastien Chassagne

William Keller

Photo of Agnès Hurstel

Agnès Hurstel

La préposée du vestiaire

Photo of Jean-Paul Solal

Jean-Paul Solal

Le monsieur qui s'énerve

Photo of Laurent Nicolas

Laurent Nicolas

L'homme à l'ordinateur

Photo of Mustapha Abourachid

Mustapha Abourachid

L'homme invité au restaurant

Photo of Sava Lolov

Sava Lolov

Le patron de l'auto-école

Photo of Charlotte Laemmel

Charlotte Laemmel

La patronne de l'auto-école

Photo of Félix Bossuet

Félix Bossuet

L'adolescent

Photo of Agathe L'Huillier

Agathe L'Huillier

La mère de l'adolescent

Photo of Caroline Piette

Caroline Piette

La femme du premier rang

Photo of Lucie Gallo

Lucie Gallo

La fille au clic-clac

Photo of Stéphane Pezerat

Stéphane Pezerat

L'homme qui s'échappe

More Like This

Reviews

G

CinemaSerf

7/10

We've all been to the theatre and wondered what we were doing there? Rarely, though, have any of us stood up to complain about the lacklustre performance directly to those on the stage. Well "Yannick" (Raphaël Quenard) does precisely that moaning that he's taken a day off work and spent his time and money on their presentation of "Le Cocu" that's not exactly enthralling him. Initially the talent engage, then they send him packing. Undeterred, he returns shortly afterwards with a gun, demands a laptop, a printer and devises a script for them to improve on their efforts. Yes, it's all fairly far-fetched and for a while I wasn't sure whether "Yannick" was actually the fourth cast member of the ensemble in to shake things up a bit. Certainly, the theatre goers never look very intimidated by their "captor". It is that ambiguity and an entertaining Quenard rendition that makes this quite a quirky watch that though it goes on too long, is actually at times quite an innovate piece of characterful cinema-cum-theatre that has just enough of the plausible about it to make it funny sometimes. It runs out of steam completely at the end, but the first forty minutes or so are original and worth a watch.

You've reached the end.