Smiley's People

7.7
198250m

Production

Logo for BBC
Logo for Paramount Pictures

Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what happened. He begins to follow up the clues of his friends past days, discovering that the clues lead to a high person in the Russian Secret service, and a secret important enough to kill for.

Trailers & Videos

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Smiley's People trailer

Seasons

6 Episodes • Premiered 1982

Still image for Smiley's People season 1 episode 1: A Mother's Assistance

1. A Mother's Assistance

6.8

Once more, George Smiley is brought out of retirement to look into the murder of an old colleague.

Still image for Smiley's People season 1 episode 2: The General's Big Fish

2. The General's Big Fish

7.2

Smiley takes a trip to investigate his friend's flat for clues. After finding a series of clues that lead to something bigger, Smiley interrogates a man about Vladimir's whereabouts. And lastly, a picture of two men in bed with a woman stirs things up.

Still image for Smiley's People season 1 episode 3: Gathering Friends

3. Gathering Friends

6.3

The investigation of Vladimir's murder leads Smiley to interrogate his latest suspect. Smiley is told to stop investigating the case by a man on a motorcycle, and he just blows him off. Smiley's next stop is Oxfordshire, speaking to a mother and a daughter about the case.

Still image for Smiley's People season 1 episode 4: The Rogue Elephant

4. The Rogue Elephant

7.7

Smiley continues his investigation, now looking for a man named Otto in a small fishing community, only to find his decaying body in his boat, and a mysterious chalk mark he's seen before. Smiley talks to the now-perpetually afraid woman.

Still image for Smiley's People season 1 episode 5: Alexandra Tatjana

5. Alexandra Tatjana

7.7

Smiley and his co-workers read through an extremely long deathbed confession. Using an undercover name, Smiley travels to Berne to attempt to find the missing pieces of the murder mystery. Meanwhile, we are introduced to a woman in an asylum.

Still image for Smiley's People season 1 episode 6: Smiley's Lighter

6. Smiley's Lighter

9.0

Smiley interrogates a diplomat by showing him a series of photographs, and in turn, closes in on the person who killed Vladimir. He is lead to the asylum, and ironically, things eventually become clearer.

Cast

Photo of Alec Guinness

Alec Guinness

George Smiley

Photo of Anthony Bate

Anthony Bate

Oliver Lacon

Photo of Beryl Reid

Beryl Reid

Connie Sachs

Photo of Tusse Silberg

Tusse Silberg

Alexandra Ostrakova

Photo of Germaine Delbat

Germaine Delbat

Madame La Pierre

Photo of Mario Adorf

Mario Adorf

Claus Kretzschmar

Photo of Michael Lonsdale

Michael Lonsdale

Anton Grigoriev

Photo of Alan Rickman

Alan Rickman

Mr. Brownlow

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Reviews

G

CinemaSerf

7/10

When "Madame Ostrakova" (Eileen Atkins) is accosted by a man as she tries to board a bus, we discover that she has a secret Soviet past that saw her flee, leaving her daughter in Moscow. Faced with a difficult choice, she contacts the one man who might be able to help. That's "Gen. Vladimir" (Curd Jürgens) who just happens to have some links with the once again retired "Smiley" (Sir Alec Guinness) who is drafted out of his intellectual slumbers to piece together a mystery that involves his own wife "Lady Ann" (Siân Phillips), his arch nemesis "Karla", this woman and her abandoned daughter. John Le Carré had an hand in adapting his own story here, and again there is a very strong and considered effort from a Sir Alec who has very much moulded his own characterisation of this patient and wily spy-master. Sadly, though, unlike "Tinker Tailor...", this one lacks that sense of the enigmatic. To be honest, it is pretty clear who is whom and the dots are far easier for us to join with this story. The supporting cast deliver well with starring contributions from both Beryl Reid and the always reliable Michael Lonsdale; Jürgens brings a gravitas to his role and Michael Byrne (the new iteration of "Guillam") and Anthony Bate's "Lacon" also contribute well as the story shines a different light on the ways in which the Soviet manipulation machine menacingly controlled it's foreign operatives. It's well paced if you like your drama more cerebral, there's an effective paucity of dialogue and plenty of opportunity for audience participation in doing some deducing of our own. It's not quite so good a sequel - that's really because it's not so good a follow-up story, but it's still a compellingly photographed six-parter that allows some of Britain's best character actors to do their stuff with a script that teases the riddle from the plot nicely.

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